The Message
Listen first. Answer six questions. Then explore the transcript.
01 · Before you listen
A few words to know
Explore the vocabulary
- letter opener
- a small tool used to open envelopes
- deliberate hand
- careful, controlled handwriting
- theatrical
- exaggerated or dramatic
- impostor
- someone pretending to be another person
- absolve
- free someone from blame
- retrace
- follow a route or series of events again
02 · Listen to the story
Follow the clues.
03 · Check your understanding
What did you discover?
Choose one answer for each question. Submit all six to see your score and unlock the transcript.
04 · Read & review
The transcript
Submit all six answers to unlock the transcript. You can then listen and read together.
Emma took a letter opener from the kitchen drawer. She could not remember when she had last needed it; almost everything arrived on a screen these days. She slid its blunt edge beneath the flap and unfolded the single sheet inside.
There was no photograph, no signature from a solicitor, nothing that might explain the envelope's journey to her doorstep. Just a letter, written in the same deliberate hand.
Dear Emma,
I don't know whether you'll believe this is really from me. I wouldn't blame you if you didn't.
Do you remember our conversation in the café? You asked whether I trusted the people running the foundation. I told you that sometimes the truth was more dangerous than a lie.
You laughed. I don't think you meant to be unkind. You simply didn't understand.
Neither did I, at first.
I know what you wrote after I disappeared. For years, I thought you had made everything worse.
You did not know why I left.
But I also know you were asking the wrong questions.
You were looking in the wrong place.
Start with the foundation. Look at what was promised to those students, and what they actually received.
Please be careful.
Claire
Emma lowered the page. She remembered the conversation with an uncomfortable clarity. It had been 18 September 2011, in a café in Glenarraidh. She was twenty-one, a junior reporter sent to write about a local education project. Claire Morrison had agreed to talk about the foundation where she volunteered.
The interview had proceeded smoothly until Emma asked about its directors. Claire had glanced towards the window, as though checking who might be listening, and said something that sounded theatrical to an inexperienced journalist.
Sometimes the truth is more dangerous than a lie.
Emma had given an awkward laugh. She had assumed Claire was avoiding the question. She had not printed the remark, although she had scribbled it in her notebook.
Now it had returned to her in a letter that should not have existed.
Emma read the message again, paying particular attention to two words: I left. Claire had not written that somebody had taken her, or that an accident had occurred. She had described her disappearance as a decision.
But a decision made freely? Emma could not know that. A person might leave because staying had become impossible.
She put the letter beside her laptop and opened a folder of scans from the old investigation. There were handwritten notes, photographs and several samples of Claire's correspondence. The handwriting looked remarkably similar, especially the peculiar curve of the capital letters. Similarity, though, was not proof. A determined impostor might have copied it.
The private memory was harder to dismiss. Emma had never published the café exchange. Yet Claire could have repeated it to a friend; a convincing detail was not the same thing as a verified identity.
She found herself remembering James Morrison outside his parents' house, exhausted and furious, asking the reporters to stop inventing reasons why his sister had vanished. Emma had been among the people he meant.
Her own article had suggested a personal dispute. At the time, the wording had seemed cautious enough. She knew now how little that distinction meant to a family reading the headline.
Emma placed the letter flat on the table. It did not absolve her of anything. If anything, it made the old mistake harder to ignore.
Then she returned to the line in the middle of the page.
You were looking in the wrong place.
If the writer was Claire, she was not asking Emma to search the hills or retrace the road out of Glenarraidh. She was asking her to look at the foundation. At promises made to students, and at money that might never have reached them.
For the first time that evening, Emma stopped wondering whether she was being deceived long enough to ask a different question.
What had Claire discovered before she disappeared?